Saturday, January 31, 2009

Hollywood is falling

Yes, the data is in. Box office sales continue to slump - not because of the economy, but because Americans are growing tired of a movie industry that's "out of touch" with audiences. This means nothing short of grand opportunity for wise Christian filmmakers. When competition is failing to meet the needs of consumers, it's an ideal time for Christians to step in and offer what the competitors can't. Christians can offer America what Hollywood can't - wholesome, edifying, God-honoring movies that will resonate with American audiences.
'Out-of-touch' movie industry continues slide
-One News Now, Jan. 13, 2009

For the second straight year, domestic attendance at movie theaters across the U.S. took a steep plunge...

Inevitably, Hollywood will try to back-track and blame the economy. But that would contradict predictions made by National Association of Theater Owners president John Fithian earlier in 2008 when he said that movies would not be affected by by a looming recession, telling The Associated Press, "We certainly have done very well during recessions."

The newly released figures also are shattering the old Tinseltown adage "Hollywood thrives when the economy dives." ...Most movies are just not worth the moviegoer's time and money in addition to being largely out of touch with the American and worldwide audience. Furthermore, in January 2008, the Digital Entertainment Group reported that sales and rentals of DVDs fell for the first time in the ten-year history of the format.

As movie attendance began sliding in the first decade of the 21st century, the Movie Advisory Board conducted a survey in March 2006 asking, "Why Not Go to a Theater?" The number-one reason given by respondents: "Movies are not very good and do not meet expectations."

Incredibly, there are still a few straightforward executives in Hollywood who don't blame "new technology" for the ongoing slide in theatrical attendance. In the words of Clark Woods, president of distribution for MGM: "Let's be honest. We didn't exactly come out with the best products in the past few years." More to the point, Woods summarized the problem that has plagued Hollywood for the past 40 years of lackluster results. "I think we may have forgotten a little about Middle America...your success is going to be listening to what all the country wants to see."

The biggest loser for 2008 was Frost/Nixon, which had only returned box-office receipts of $4 million in the last three weeks of December since its opening on the fifth of the month. That's a 12-to-1 loss on investment with a budget of $25 million...

On the other hand, Fireproof became a hit largely due to word of mouth promotion and a minimal advertising budget provided by Sony Provident and Samuel Goldwyn Films. Fireproof proved what MGM's Clark Woods echoed by "listening to what all the country wants to see."

Read the rest of the article here.

Friday, January 23, 2009

$101,000 Award-Winning Film 'The Widow's Might' Receives Acclaim from Veteran Film Producer and IT Pioneer

SAN ANTONIO, Texas, Jan. 23 /Christian Newswire/ -- "The Widow's Might," a western musical feature film has won the $101,000 'Best of Festival Award' at the 2009 San Antonio Independent Christian Film Festival (SAICFF). Also vying for the prestigious award were high profile films including "Fireproof" and "Expelled."

Geoff Botkin, veteran film producer and SAICFF judge, marked "The Widow's Might" as a milestone in Christian filmmaking. "'Widow's Might' is a groundbreaking film, even though it is a first feature film from a teenaged director. It is one of the most original high-concept features in recent film history. The story is innovative in ways that can inspire the next generation of filmmakers, many of whom are looking for ways to break out of tired cinematic cliches..."

Botkin also added, "This film attempted and achieved a wholesome family message, illustrating the difficult-to-capture functional family environment. Its message addressed a very complex theological issue which is a defining issue of our generation..."

Audiences at the SAICFF seemed to agree with the SAICFF judges. Attendees at the festival overwhelmingly selected "The Widow's Might" for the Audience Choice Award, giving the movie more than twice as many votes as the nearest contender. Audiences laughed, cried, and cheered as the film unfolded, ultimately giving three standing ovations at the close of the film.

Young filmmakers John Moore (age 19) and David Heustis (age 20) were surprised at the affirmation they received from festival judges and audiences alike. "We never saw this coming!" said John. "The greatest lesson we have learned at this event over the years is to press on; keep moving forward. Always pursue excellence. The production was very tough; but it brought our families together, and we're even closer now than ever. I dedicate this award to my father, the most inspiring man I have ever known."

Information about the release of "The Widow's Might" will be announced at a future date. To interview the director of "The Widow's Might," John Moore, contact Jennifer Langen by e-mail at contact@thewidowscry.com or by phone at 972-452-3708. More information about "The Widow's Might" and HeuMoore Productions can be found at www.thewidowscry.com.

Labels:

Thursday, January 22, 2009

The significance of The Widow's Might

Geoff Botkin on the significance of The Widow's Might.
Widow's Might is a groundbreaking film, even though it is a first feature film from a teenaged director. It is one of the most original high-concept features in recent film history. The story is innovative in ways that can inspire the next generation of filmmakers, many of whom are looking for ways to break out of tired cinematic clichés, especially the weak theological clichés of the Christian "altar call" movie.

This film attempted and achieved a wholesome family message, illustrating the difficult-to-capture functional family environment. Its message addressed a very complex theological issue which is a defining issue of our generation: a form of taxation that asserts the state's presumed authority over God. The clash over sovereignty between man and God is a topic Christian filmmakers will be exploring for decades to come.

The film employed a clever story line to make rich use of complex subplots, including an illustration of the abusive use of media.

Finally, the film used aesthetic elements to set new standards for taste and humor, charting a delightful course for tomorrow’s filmmakers who will make a clean break from patterns of discourse that have taken American culture in the wrong direction for several decades.

Geoff Botkin

Labels:

Wednesday, January 21, 2009

Kevin Swanson interviews John Moore and David Heustis

Kevin Swanson interviews John Moore (age 19) and David Heustis (age 20), the makers of The Widow's Might. Find what it was like to produce a feature film that won $101,000 at the largest Christian film festival in the world. Also listen to John unveil some ideas for future HeuMoore productions!

Listen here

Labels:

Saturday, January 17, 2009

Excellent SAICFF coverage

Several sites on the Web are giving excellent coverage of the 2009 Christian Filmmakers Academy and the SAICFF. Here are links to a few of them:

C.S. HaydenDoug's Blog
Persevero!
The Rebelution
Several news sites also wrote about the Academy and SAICFF. Here are two articles worth checking out:

Friday, January 16, 2009

Back from San Antonio!

I am glad to be back from a wonderful trip to the Christian Filmmakers Academy and SAICFF. There were so many great people, lectures, and films... I am overwhelmed by it all!

Please forgive my brevity. I need to get my thoughts all sorted out, and I am currently buried under all the work that piled up while I was away. Reports from the trip will be forthcoming.